India television has been marked with eras. People go along the flow, entertainment is the basic entity. It doesn’t matter what kind of entertaining is being piled. Since I am a child of 90’s, the decade where India finally met and wed the globalization. A decade when Chetan Bhaghat was just an engineering aspirant, a decade which was marked with the release of the movie Border, a decade in which neither Uday Chopra nor Abhishek Bachchan thought to debut as a newcomer. As the time progressed TV shows categorized themselves—
Era of एकता में अनेकता
Ever since I gained my cautious for the television, one, and the only name making headlines was Ekta Kapoor. Her reel dramas soon turned into real dramas. Time was not far when Indian husbands got severely retarded with the buckets sitting along the sofas to catch their wife’s precious tears. Mihir made a benchmark and Tulsi was making a perfect brain wash. Wives calling husband as “Mihir” created a perfect name jeopardy. “Suspecting husband” aka The Fa Deodrant effect also made its place in the household works. Along with it brought handful amount of daily soaps which constraint housewives from cleaning entire house to only sofa and television set.
She (एकता कपूर, Sister/of तुषार कपूर, Daughter/of जितेंदर) ruled the world of drama for a long reign and finally her episodes started dying and eventually died (Law of Nature – Something which is born is ought to die). Women showed their great dismal, husbands now were getting breakfast and dinner on time, sons and daughter’s school visits were no longer procrastinated. Everything came back to normal (Women shares a different perspective).